Brandi Carlile is done with the printed page taped to the stage floor. The eleven-time Grammy winner has announced the Burn the Setlist Tour, a fifteen-date run across nine American cities this November and December built on a simple premise: the crowd picks the songs, live, and every show ends up different. Carlile will perform as a trio with longtime collaborators Tim and Phil Hanseroth, and the routing sticks to older theaters that carried her earliest tours. The run was announced late last month, and the general ticket sale followed on the first Friday of October.

No setlist, no safety net

Instead of rehearsing one fixed show, Carlile and the Hanseroth brothers will build each night's song list from shouts, signs and spur-of-the-moment requests, a format she tested during stretches of The Human Tour earlier this year. She told Radio Milwaukee that fans can yell out requests or hold up signs, and that she may wander up and down the aisles mid-show to take them face to face. The idea, according to the tour announcement, is to try difficult material and let the room steer the night, mistakes included.

Phone-free rooms, official bootlegs

Every date on the Burn the Setlist Tour will be a phone-free show. Concertgoers get Yondr pouches for their devices at the door and keep possession of the sealed pouches for the whole night, a policy the tour applies to all fifteen stops. Each attendee also receives a QR code that unlocks three recordings from that specific performance plus photos and extra content, according to Pollstar, and the full concert bootleg will be available to buy for attendees and Bramily members only.

Where the tour stops

The Burn the Setlist Tour itinerary opens November 5 at Portland's Revolution Hall and rolls through Oakland, Tucson, Des Moines, Milwaukee, Minneapolis, Louisville and Kansas City before a three-night finale at the Capitol Theatre in Port Chester, New York, from December 15 through 17. Milwaukee gets a two-night stay at the Pabst Theater, with doubles also booked in Tucson, Minneapolis and Louisville. The tour returns to some of the older theaters that mattered most early in her career, a clear bid to reconnect with core fans, Radio Milwaukee reports.

From arenas to listening rooms

Bramily community members got first crack at tickets with presales that opened September 29, including a second window for non-premium members later that afternoon, and the general sale followed on Friday. The intimate scale is a deliberate contrast to Carlile's arena season: Pollstar Boxoffice reported that her two sold-out February nights at Madison Square Garden grossed $2.7 million on 23,362 tickets. She is represented by CAA's Rob Light and managed by Catherine Carlile at Phantom Management.

The fan-first packaging fits a catalogue built for requests. MusicRow noted the stripped-down trio setup keeps the Burn the Setlist Tour loose enough to follow the room on any given night. Fans who want a physical keepsake had a narrow window: the signed rainbow vinyl of the deluxe edition was open for preorder through October 1, with orders set to ship December 11.

The tour follows the release of Returning To Myself (Sad Gay Version), the deluxe edition of her album Returning To Myself, which arrived with a signed rainbow vinyl pressing sold only through her site, MusicRow reported. Carlile also plays an evening at the GRAMMY Museum in Los Angeles on October 12. For younger fans raised on playlists and replay buttons, the Burn the Setlist Tour is an experiment in the opposite direction: a show shaped in the room, undocumented by the crowd, and preserved only through the band's own official recordings. General tickets are now on sale for all fifteen dates, and the run is a rare case of an arena-level act deliberately shrinking the room.

Demand for the phone-free format could run high. The Pabst Theater dates are selling through AXS and the venue box offices, Radio Milwaukee reports, and the nine-city routing puts at least one stop of the Burn the Setlist Tour within reach for much of the country.